Napashtra knelt on the gnomestone tiles
and glimpsed images of [[cloud riders]] and [[clipper ships]]
within the shiny surfaces
[[2<-continue]]
Misty men mounted on cottony clumps,
clutching riding crops of crepe
to spur on their nimble nimbus steeds
[[2<-continue]]where captains decapitated by capstans
during anchor accidents
still bellowed orders to skeletal sailors
scampering across the ragged rigging,
illuminated by Elmo’s incandescence,
as their bones clamored,
*clickety clack, clickety clack*
[[2<-continue]]Napashtra peered deeper and
beheld other images within the tiles –
a maiden’s cheek, kissed by a breeze,
soft as a prince’s murmurs.
And the tonsured heads of trapped monks,
untroubled by tousles in their drafty cells
[[3<-continue]]
Vorebel said Napashtra had lost her mind.
When Vorebel gazed up at the sky
she saw images in the clouds –
dogs and dragons, flowers and faces –
but in the shiny palace floors she saw nothing
but the reflection of her own feet
[[4<-continue]]
But Napashtra had been blessed with special sight,
ever since the night she slipped during a dance
and struck her head upon the floor
[[5<-continue]]
The tiles had spoken to her, revealing their secrets,
whispering about their makers –
gnomes who encaptivated the air
within stone sheets shorn from
the crystal mines of [[Qurrymede]],
memories of olden winds and long-dead breezes,
trapped like insects encased in ancient amber
[[6<-continue]]
Mines burned into the bedrock
by the glares of captive demons,
minions of Thanatas exiled from heaven
by wise Thulchulu.
[[Q<-continue]]
Napashtra could absorb the magic
into her very soles
and become one with the wind
and embody the breeze –
if she did her wishing well.
[[7<-continue]]
The miners gouged out
gnomestone and trollrock and elfdust
with pickaxes,
covering their furrowed faces
with scraps of once-worn shrouds,
protection from imphysema
[[5<-continue]]
Or so the tiles told her.
[[8<-continue]]
She could waft herself out a window
and collude with the clouds
and sail on sunbeams,
beyond the reach of the king and his men,
beyond the walls of Amakarazan,
beyond the shores of Totulanda
[[9<-continue]]
Tonight it was her turn
to dance for the king,
since Vorebel had danced the night before,
and as luck would have it
the stars were aligned just so,
and the full moon promised
maximum magic
[[10<-continue]]
So Napashtra wore her special costume,
the one made from faeriespun –
magenta fibers grown in the
enchanted fields of [[Xiepifeti]],
nourished by starshine, harvested by unicorns
with their plow-like horns,
and meshed on [[orichalcum]] looms
by sorceristic seamstresses.
[[11<-continue]]
where faeries frolic
in the fog-clogged furrows
on misty nights
and drink distilled moonbeams
out of goblets made from the
skulls of wicked men
[[10<-continue]]
A metal of blended colors,
the red of sunsets, the gold of dawns,
forged in the foundries of Atlantis
and brought to our world by vril men
seeking new gods to offend
[[10<-continue]]
Such a costume could soak up the magic
and intensify its energy,
permeating Napashtra with the power
to do miracles
[[12<-continue]]
Or so claimed the old woman
who sold cloth and curios and sundry other things
in the market square on rainy days,
wrapping them up in strange stories
at no extra charge
[[13<-continue]]
And so Napashtra knelt before her king,
as was the custom,
then rose to her feet,
her bare toes tingling on the enchanted tiles.
[[14<-continue]]
She stretched out her arms and wished her wish,
to become the breeze,
to wind up in the wind
[[15<-continue]]
And she began to dance
[[16<-continue]]
But when the music of flute and lute ended
and her dance was done,
Napashtra was winded –
but she was not the wind,
her body still enslaved by solidity,
grounded by gravity,
imprisoned by opacity
[[17<-continue]]
The king and his courtiers
applauded appreciatively
and Napashtra and the musicians bowed
and departed from the throne room
[[She returned to the women’s quarters]]
[[She chastised the two musicians]]
and wept herself to sleep
and swept herself into
dust-coated dreams.
But then came the mourn
and dreams gave way.
[[next night<-continue]]
She took the musicians aside and
scolded Olshant, a player of lutes,
and Emach, a master of flutes,
blaming them for her failure,
for surely their tune had
done her a bad turn
[[18<-continue]]
The next night she
returned to the throne room
and stepped once more
upon those taunting tiles
where lies lurked beneath
every glimmer of hope
They must quicken their tempo
so she could speed up her spins,
for only the swiftest feet could outrun reality
and meld with the wind’s wizardry
[[19<-continue]]
When she told them this,
Olshant and Emach laughed at her,
declaring it impossible –
not the magic, but the music,
which they could not play any [[faster]]
[[20<-continue]]
Olshant fretted that his strings would snap.
Emach feared his lips would split.
[[20<-continue]]
But they could play the tune backwards.
That they would do for her.
And Napashtra proclaimed them fools
and asked what good would come of that.
[[21<-continue]]
They told her she should turn
counterclockwise,
and Time would be drawn along,
unable to resist her charms,
unwinding, unwinding,
till she was a little girl again...
a toddler...
a baby...
unborn
[[22<-continue]]
But she would retain the wisdom
of a full-grown woman,
and the power of speech,
and could request different parents
from the nursemaids of fate,
and be born into a [[courtier’s]] clan
[[23<-continue]]and grow up in a world of
luxury and splendor
and one day find herself sitting
beside a soft-lipped prince on a silken pillow,
watching other girls dance
while she sipped liqueurs
from long-stemmed crystal glasses
[[23<-continue]]
Much to their astonishment, Napashtra agreed
and did not notice the mockery in their eyes
[[24<-continue]]
But the two musicians could not bear
to disappoint this silly girl,
so the next time Napashtra danced
they played the twisted tune
from back to front
as they had promised
[[25<-continue]]
Napashtra turned to the left instead of the right,
countering the wisdom of clocks,
her feet moving faster and faster
till they became a blur,
insubstantial as the air itself
[[26<-continue]]
The floor beneath her blurred as well
and Napashtra plunged into
nothingness
[[27<-continue]]
Down she descended
in her plummeting pirouette,
drilling into the depths -
not a day younger
but much, much deeper
[[28<-continue]]
She broke through a rocky roof
and fell into a capacious cavern,
her outstretched arms flapping frantically,
her pantaloons billowing like sails,
slowing her descent
[[29<-continue]]
She landed gently on the cavern floor,
gaping up at towering stalagmites
filled with slitted windows,
like the eyes of angry cats,
some ablaze with crimson light,
others curtained by shifting shadows
[[30<-continue]]
She spied a steaming stream
of inflamed fluids
bridged by bones
and stepping stones.
[[bridge<-she chose the bridge]]
[[stones<-she chose the stepping stones]]
As she reached the far end
the bridge began rumbling,
then broke apart,
the pieces tumbling.
With a splash and a glug
they fell into the stream
as Napashtra let out a startled scream
[[33<-continue]]It swayed as she crossed,
*clickety clack, clickety clack*
and some vertebrae whined,
*Get off of my back!*
[[far end<-continue]]
As she neared the stones
the stream’s lurid light revealed
dark holes in each one.
The eye sockets of skulls
Reluctant to step on the heads of the dead,
she chose the bridge instead.
[[bridge<-continue]]
She came to a river and beheld a boat,
poled by a black-robed figure,
his face cloaked in shadow
pierced by two red beads of light
[[34<-continue]]
He uttered a chilling chantey:
*Styx and stones and sinners’ bones
are found where the Dis-located roam*
[[35<-continue]]
And Napashtra shivered, despite the heat,
for this confirmed her fear.
She had danced her way
down
to
hell
[[36<-continue]]
She resumed the dance,
spinning rightly,
but could not fly up to the
heights of Hades
and return to the world she knew
[[37<-continue]]
Then the three-mouthed monarch
of that infernal realm
caught the scent of a living being
befouling the incendiary air.
He cast her out.
[[38<-continue]]
And she found herself back in
the palace of the King,
where many noted the soot upon her soles
but none dared ask its origins.